Intuitively, I am wholeheartedly behind this sort of approach. Instinctively, too, I worry about the biases that come with collecting. A while ago, I was interested in collecting and the biases, problems and difficulties with that. Documentation is clearly prone to that.
To summarise, though it’s a little jarring as a quote, you can use the wonderful Culture of Collecting:
“… if the cultural criterion of the desirable excludes anything tainted by ‘shit’, if the definition of a collectible rests on an implied ritual of cleansing … and if we never touch anything that is not already in a sense ‘our own’, then all conventional collecting can really offer is kitsch.”
Often the display work you see published online, or the student portfolios is similarly kitsch. Student work can be work that is “cleansed” by teachers, so to speak. Displays, while often remarkably talented, are also often remarkably kitsch.
Where the documentary scores for me is that those involved clearly see who “owns” the documentation to be an issue. For older students, what is helpful is that they become the protagonist in their own documentation. That, for me, is the exciting part. And that is what stops it being kitsch.